Photowalk in Shek Lung Kung: Part 2
This is part 2 to the 2-part series documenting my photowalk in石龍拱. Part 1 can be found here.
For the entire week I had been shooting when I had the chance. I even thought of abandoning some commitments to make time for the shoot.
That behavior was almost compulsive that I realized I needed to back off. Going to shoot out of passion is fine. Fearing that I may miss something by not going to shoot feels a lot like a toxic relationship though.
Photography is always there for me, no matter what.
In part 1 I hiked up to 石龍拱 at 4:27am in the morning to see the sunrise. After finishing my roll of Velvia 100F and Ektar 100, I loaded a roll of Fujicolor C200, my only roll of 135 film left for the day and continued to take a few shots.
My friend would be joining me in a couple of hours as the model for our shoot at a nearby abandoned school. After an hour or so of wait, I went down from the peak to explore the area.
When I climbed this way up to the top in darkness a few hours ago, I probably was buffed by strong passion and a lack understanding of the difficulty. The way down, however, felt at least 5x more difficult. Should have brought my gloves.
Two aunties stood from a distance observing my journey down from the top and seeked comment on the difficulty because "You (me) struggled for quite some time."
I did point some people to go down that route in part 1 and they got down just fine. Anyway, these two aunties were dissuaded by how difficult it seemed as I went down, and decided not to go.
The trail that passes through石龍拱 is called 元荃古道, which served to connect Yuen Long and Tsuen Wan in the old time. The trail is now a part of Tai Lam Country Park and is paved to clearly indicate the path. Actually, 石龍拱is only at the beginning part of the entire trail, and the most scenic part, I might add.
Eventually I settled down on a piece of rock overlooking the valley where the trail leads into. With the umbrella as a temporary tent, I waited for my friend to hike up. A short nap with the sound of bird chirpings was not bad.
Soon I was joined by my friend Macx who likes photography and modellings for photos.
Macx spent 40~50 minutes hiking up non-stop, taking all of the longer routes for every fork of the trail. Obviously, it's a tiring hike, and I worried if that’ll ruin the mood. Yes we came here for the shoot, but it can't be only about the shoot.
We were not in a hurry to shoot. It's best to chat a bit and hike around to explore. After exploring the area, we proceed to head to the abandoned school.
For years the school had been abandoned and the ceiling had long collapsed into pieces on the ground. The concrete structure stands, apparently strong enough to survive the years to come.
Macx is a very spontaneous model and is quick in coming up with idea and comprehensive directions. We had a blast exploring the lighting condition and the scene at the abandoned school to determine what to experiment with.
We discussed Personas as well. For him to be himself "Typical Macx" and "Local Foreigner" established in the previous exhibition shoot.
Out came the ridiculous shots, nice shots, and good shots.
Once we got Macx to act out one of the Persona. We were able to get some nice/good shots.
After some time I almost went out of shots. Being here for over 7 hours definitely exhausted me. So we took a break.
The shoot was short and the hike exhausting for Macx. On the way back I shared my worry whether this turned out to be something less thatn what he expected, and whether he fell victim of my compulsive photography addiction. To which I forgot his exact reply on this but my take is:
"It's ok to do what you want to do as long as it doesn't damage others".
That doesn't mean you cannot do it! If it has to involve others then make it a good experience for them.
After the break we explored the area a bit and finished the roll. At that point I was running out of juice. Cookie that Macx brought might revive me but I had dedicated my empty stomach to Five Guys already.
On the way back I told Macx that we don't know if the images taken on the film will turn out. All may end up blank.
I asked myself: if the images don't turn out, I won't be able to get the "likes" on Instagram. And the subsequent thought debates: is it the likes I care the most, or this shooting experience I care the most?
Even if I go home with no tangible photos, the images of today’s experience had already been burned into my existence, like any other shoots.
I think that’s the most important thing.